"I want you, inexpressibly, to have, as a remembrance, something of mine—something of real value. Something from Poynton is what I mean and what I should prefer. You know everything there, and far better than I what's best and what isn't. There are a lot of differences, but aren't some of the smaller things the most remarkable? I mean for judges, and for what they'd bring. What I want you to take from me, and to choose for yourself, is the thing in the whole house that's most beautiful and precious. I mean the 'gem of the collection,' don't you know? If it happens to be of such a sort that you can take immediate possession of it—carry it right away with you—so much the better. You're to have it on the spot, whatever it is. I humbly beg of you to go down there and see. The people have complete instructions: they'll act for you in every possible way and put the whole place at your service. There's a thing mamma used to call the Maltese cross and that I think I've heard her say is very wonderful. Is that the gem of the collection? Perhaps you would take it, or anything equally convenient. Only I do want you awfully to let it be the very pick of the place. Let me feel that I can trust you for this. You won't refuse if you will think a little what it must be that makes me ask." "She doesn't look with her eyes; she looks with her ears. In her own way she had taken it in; she knew, she felt when it had been touched. That probably made her take an attitude that was extremely disagreeable. But the attitude lasted only while the reason for it lasted."!

He appeared puzzled by this statement, but he presently rejoined: "You haven't then said to mamma what you think?" Our young lady's spirit was strangely divided; she had a tenderness for Owen which she deeply concealed, yet it left her occasion to marvel at the way a man was made who could care in any relation for a creature like Mona Brigstock when he had known in any relation a creature like Adela Gereth. With such a mother to give him the pitch, how could he take it so low? She wondered that she didn't despise him for this, but there was something that kept her from it. If there had been nothing else it would have sufficed that she really found herself from this moment the medium of communication with him.

"Then won't yours do?" Mrs. Gereth demanded. "Haven't I had it from your own mouth that he cares for you?" Fleda immediately guessed from his tone that he had not come in to say what she supposed; there was even something in it to confirm Mrs. Gereth's belief that their danger had dropped. She was sure, moreover, that his tribute to Mona's taste was a repetition of the eloquent words in which the girl had herself recorded it; she could indeed hear, with all vividness, the pretty passage between the pair. "Don't you think it's rather jolly, the old shop?" "Oh, it's all right!" Mona had graciously remarked; and then they had probably, with a slap on a back, run another race up or down a green bank. Fleda knew Mrs. Gereth had not yet uttered a word to her son that would have shown him how much she feared; but it was impossible to feel her friend's arm round her and not become aware that this friend was now throbbing with a strange intention. Owen's reply had scarcely been of a nature to usher in a discussion of Mona's sensibilities; but Mrs. Gereth went on, in a moment, with an innocence of which Fleda could measure the cold hypocrisy: "Has she any sort of feeling for nice old things?" The question was as fresh as the morning light. "It's the sharpest thing I ever saw in my life!" They looked at each other with intelligence, in appreciation of the sharpness, and Owen quickly broke into a loud laugh. The laugh was in itself natural, but the occasion of it strange; and stranger still, to Fleda, so that she too almost laughed, the inconsequent charity with which he added: "Poor dear old Mummy! That's one of the reasons I asked for you," he went on—"to see if you'd back her up."